Pure Chaos (Toronto, ONT) Deadpan, serious, opening readying the audience for us to deliver the "perfect scene". We start with a grounded scene. Every member in our troupe has the ability to cut/edit this and subsequent scenes and tell the audience (and troupe) that the scene was nearly perfect, but that a certain change needs to be added. This editing then starts to get slowly out of control as the edits become less grounded in reality, we jump away from the initial scene, and we infuse games, audience interaction, monologues, etc. all in the hopes of achieving the "perfect scene". Slowly but surely, the "professional" credibility we tried to establish during the opening unravels. 

Heya Toots! (Chicago, IL) We've developed our own signature form that takes audiences on a dynamic journey: opening with individual character monologues, expanding into grounded two-person scenes, then erupting into a high-energy group game filled with callbacks and bits. We've been performing together for nearly two years, honing our chemistry and voice as an ensemble under the coaching of Brian Morrow.

Chad & Ithamar Back by popular demand! Chad Damiani and Ithamar Enriquez commit to an entire set absent of words -- with no fourth wall separating them from the audience. Inspired by Chad's bi-weekly silent clown sets in Los Angeles -- where he plays with a rotation of guests from the world of clown, improv, stand-up, theater and dance.